Our reviewer finds a lot to love about a lesbian indecent proposal
Laura Muldoon
Fri, 03 Feb 2012 10:21:52 GMT
La Chunga by Mario Vargas Llosa sees us transported to Piura, a small town in Northwestern Peru in which four patrons of a small late night bar booze and gamble away money they don’t have on dice which never seem to quite roll the way they’re required. Night after night the men are silently watched by the hard-nosed landlady Chunga, who tolerates their incessant lewd banter and lecherous advances in return for their business and occasional tips.
One night the leader of the gang (and all-round bad egg) Josefino finds himself unable to forget his male pride and walk away from the game, so instead offers his beautiful lover Meche to Chunga in exchange for 3000 sols, enough money to stay in for one more round. Chunga, mesmerised by the beautifully innocent Meche, now owns her for one night only.
The play shows each of the men who were in the bar on that fateful night imagining what happened between Meche and Chunga whilst they were left drinking alone in the bar and spins into an exciting web of reality and fantasy for all involved, especially the audience.
The moment Chunga, played in this production by the statuesque Victoria Grove, walked onto the stage I knew I was in love with her. A totally captivating and believable performance, Chunga or Chungita as her regulars affectionately refer to her as, must be about 6 feet tall. She swaggers around her bar barefoot and sits with legs apart, swigging vermouth as she is teased and prodded by the men who frequent her bar. They ask her repeatedly, desperately, to tell them what happened on the night of the indecent proposal but she usually responds with her favourite come-back ‘ask your mother’ in her husky… amazing, voice.
After seeing La Chunga described as ‘a highly charged erotic feast for the senses’ and now having seen the production myself, I would have to agree. The play was searing hot with sexual tension especially between the two women characters with the dingy but warm hispanic style set adding to the heat generated by the cast. Victoria Grove is unequivocally HOT and a short blast of British fresh air during the interval between acts was much appreciated. The small performance space at the back of the Pheonix Arts Centre was a perfect location for this play with the gentle chatter and merriment of people outside coming through the walls but brilliantly complimenting the bar atmosphere on stage. It was so intimate a late-arriving audience member virtually sat down at the table the actors were playing out their dice game on.
After seeing what happens between Chunga and Meche in the first act and some brilliant flamenco style dancing, we come to the second act where the tone changes slightly. In typically dark Vargo Llosa style we are shown the sometimes quite unsettling imaginings of what happened that night from the four men who were present and a lot of complex themes are touched upon, including domestic violence, rape and some more regular violence, the highlight performance-wise comes in the form of an outstanding monologue to the audience from Josefino which had everyone on the edge of their seats.
La Chunga was a totally unexpected but wonderful find and from a lesbian perspective, it was frank and honest portrayal of female sexuality which was erotic and at times very touching. If you can catch this play before it finishes on the 19th February, you must as it’s very rare to find such a brave and unique production.
LA CHUNGA by Mario Vargas Llosa
Phoenix Artist Club, 1 Phoenix Street, London WC2H 8BU
January 24 to February 19, 2012
